Three Short Plays
Dec
17
9:30 PM21:30

Three Short Plays

A neat late night showing of three little cute plays such as: 

Non-Advice to a Boat by Addison Vaughn

Inspired by the works of Suzan-Lori Parks and the poem “Blessing The Boats” by Lucille Cliffton, Non-Advice to a Boat is a non-linear discussion of personhood kinda

Zap! by Rhett Goldman

Madeline just got zapped! She’s turning green! She needs an antidote. NOW! 

Baby Fish Mouth by Grace "Juice" O'Rourke

Should old acquaintance be forgot

And never brought to mind?

Should old acquaintance be forgot

In the days of auld lang syne?

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Peregrinations
Jan
9
to Jan 26

Peregrinations

PEREGRINATIONS

January 9th, 10th, 11th, 16th, 17th, and 18th @ 7PM
January 19th @ 3PM
January 20th, 23rd, 24th, and 25th @ 7PM
January 26th @ 3PM

A co-production with Dutch Kills Theater and Long Story Short 

Performed by Megan Campisi (she/her), Julia Cavagna (she/her), Jay Dunn (he/him), Blake Habermann (he/him), Malcolm Opoku (he/him), and Angela Parra

Outside Eye: Brendan McMahon

Original Sound Design and Live Sound Performance by Joan Hofmeyr

Peregrination: noun /ˌpɛrɪgrəˈneɪʃən/

  1. A long journey or period of wandering, especially in foreign lands; from the Latin: peregrinus, meaning “foreigner”.

Peregrinations is a wordless play with original music and sound design exploring journeys of displacement and migration. It is drawn from interviews with displaced people and personal stories of our international performance collective and performed in masks. Peregrinations uses the poetic, metaphoric language of the masks to explore shared experiences of journeys across borders.

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Agency for the Lost
Jan
28
to Feb 2

Agency for the Lost

Is this world too much? Can't figure out the order or what you want to do or how to make enough money? Simply leave and start again in the lost dimension. In this world, the "lost" go to the Lost Dimension where they start a seemingly different life in a parallel world to our own. These lost individuals never return or contact the people that they left behind. The only way to find them is under the helm of the Agency of the Lost, a quasi-detective firm with a founder (Gennifer) who has a penchant for cigarettes and egg salad sandwiches. When Gennifer and her trusty employee find who they believe is Mae’s dad, her world seems to change as she listens to his raw and uncensored quasi-fatherly lessons. Mack, however, doesn’t believe he is her father, continually professing that he wants to return to the Lost Dimension, urging Mae to do the same and leave her life behind that perhaps he did.

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SOLOperas
Mar
20
to Mar 22

SOLOperas

Thursday, March 20, 2025 at 7PM
Friday, March 21, 2025 at 7PM
Saturday, March 22, 2025 at 7PM

Librettist and Composed by Jason Cady and Anna Heflin
Vocals by Sarah Daniels
Vocalizing Cello by Aaron Wolff
Directed by Shannon Sindelar
Costumes by Krista Intranuovo Pineman

SOLOperas is a double feature of new operas for solo performers. The two premieres will be performed back to back in a seamless evening of music and theater.

The INcomplete Cosmicomics
The INcomplete Cosmicomics is a stand-alone opera by composer/writer Anna Heflin for vocalizing cellist/actor and electronics in which author Italo Calvino’s mystical entity Qfwfq continues his journey. After being stuck in a void for thousands of years with only a cello and a looper, the incongruous and multifaceted Qfwfq comes to life. Upon exiting the void, he faces a choice: he can either explode into existence as all beings or end linear time. Inspired by Calvino’s The Complete Cosmicomics, Heflin’s work is an original creation in which Qfwfq takes the reins of his own narrative. Equipped with a sharp sense of humor and sensuality, Qfwfq ruminates, charms and hypnotizes in his quest to break the loops of life.

The work showcases Juilliard-educated cellist Aaron Wolff as Qfwfq, whose acting credits include Danny Gopnik in the Coen brothers’ A Serious Man.

This Is Not About Natalie

This is Not About Natalie is a one-act opera with words and music by Jason Cady. It features a solo singer with a ventriloquist doll and guitar. She portrays a songwriter who uploads a new, original song everyday to Youtube and introduces each song in dialogue with her puppet. She was formerly one half of the underground duo, “Kris and Natalie.” Her former partner, Natalie, went on to become a famous popstar. But this is not about her.

Sarah Daniels, soprano and guitar, stars in this one-woman opera.

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IHRAF: Ten Minute Play Festival
Dec
9
7:00 PM19:00

IHRAF: Ten Minute Play Festival

The International Human Rights Art Festival:

TEN MINUTE PLAY FESTIVAL

Monday, December 9th @ 7:00pm

Featuring:

Passed Tents presented by Scene 24 Productions

Emily Seibert - Caitlyn,

David Macharelli - AJ

An unhoused person attempts to sell “affordable, available city real estate” to a successful nurse trying to downsize.

Catastrophe presented by Hattimatim-Team, Inc.

Written and Directed by Abhisek Bhattacharya

Stage Managed by Sayantan Bhattacharya

CAST
Didhiti Mukherjee (Cat)
Anushila Bagchi (Astro)
Nabamita Pal (Phoebe)

"Catastrophe" revolves around Phoebe, an international worker in a company, Astro, a young surgery resident, and Cat, who might or might not be a soft toy. When a severely stressed-out Phoebe muses about her work-related "issues" and potential impending death, Cat and Astro try to cheer her up, though in a dramatically opposite manner.

Requiem for the Wretched presented by Robert Galinsky

written, produced, and directed by Robert Galinsky

performed by Alexis Sadé Sailes and Robert Galinsky

In the oppressive heat of a 1987 summer day, a young woman, unraveling from the agony of having her prescribed medication withheld by her doctors, stumbles into a park. The air is suffocating, 102 degrees, and her desperation grows with every breath. Drawn by some skewed instinct or blind hope, she seeks comfort in a seemingly benign hot dog vendor. She begs for advice, some semblance of relief from her mental and physical torment. The conversation begins innocently, touching on small talk, but soon the vendor’s words grow disturbing. As his demeanor shifts from friendly to almost sinister, the woman, trapped in her own unraveling thoughts, starts to challenge the very nature of the man standing before her. What seemed like a moment of potential solace takes a macabre turn, leaving her second-guessing whether the pain from the medication withdrawal, the heat, or the encounter with the disturbing figure is the greater danger.

You Can Untie Them The Guards Can't Stop You presented by Wolf Mountain Workshop, Monte D. Monteleagre

Chase Guthrie Knueven
Katie Ploetz
Jimmy Kohlmann

You Can Untie Them The Guards Can't Stop You is a play where you can untie them because the guards can't stop you. Like most plays, there are prizes at the end.

Today's América presented by Zareh Artinian, Jr.

Written, Produced, and Directed by Zareh Artinian, Jr.

Annie Hartkemeyer *- América Jonze

Mark Coffin* William G. Bowman

"Today's América" pits Gen Z Congresswoman and disabled shooting survivor, América Jonze, against a Boomer career politician in a behind-the-scenes battle on Capitol Hill over legislation to curb gun violence. Dramatizing the stark differences between politicians at extreme ends of the generational spectrum, this play goes beyond the familiar public vigils and speeches, the hackneyed social media debates and "thoughts and prayers" posts and gives you a peek into the drama that occurs behind Washington's closed doors.

Cast:

Annie Hartkemeyer* (América Jonze) (she/they) is an actor, director, and curious spirit based in New York, NY.

Mark Coffin* (William G. Bowman) (he/him) is a proud member of AEA, SAG/AFTRA and The Actors Center, and is represented by Dulcina Eisen and Associates.

Crew:

Zareh Artinian (Writer/Director) (he/him) is an award-winning playwright (Shattered! An American Fairy Tale) who believes theatre can be a transformative force that fosters empathy and prompts conversations about social justice.

Leela S. Munsiff (Assistant to the Director) (she/they) is a Stage Manager and Singer-Songwriter known for her commitment to racial and disability justice and their community care, disability-first approach to theatre.

Marci Diamond, M.P.A.,SAG-AFTRA, AEA, (Intimacy Choreographer) (she/her) is a Vermont-based IC, actor, circus artist, and educator. 

Andy Kasana (Stage crew) (he/him) is a student writer/filmmaker from Slovakia.

Barbare Sturua (Stage crew) (she/her) is an aspiring filmmaker and writer from the Republic of Georgia.

*These actors are members of Actors’ Equity and appear in this Equity-approved Showcase courtesy of Actors’ Equity Association.

Across The Lake presented by Equity Library Theater of New York

Directed by Johnny Culver

CAST
Sasha Henriques
Jonathan Beebee
Regina Yeager

An encounter on a railcar brings old memories to the surface.

Angelic Virtues presented by Rhys Collins

Rhys Collins (he/they), writer and director

Mia Vongsavang - Mabel
Emily Savona - Zeraquiel

In Angelic Virtues, Mabel prays to the Heavens above to ask if she’s allowed to be a lesbian. To her surprise, an angel answers. Through humor, queer joy, and religious revelations, the play tackles homophobia and religious trauma in order to prove that being both religious and gay is perfectly okay.

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Mari
Dec
6
to Dec 10

Mari

A workshop presentation of Mari: A solo show about time, trauma, family, aging, healing, and arriving that blends deep humor with stories of humiliation, survival and love. Marisela began to develop this piece at the MT+NYC Collaborative Montana writers' retreat in the Fall of 2023. Marisela continued to develop the piece; writing, editing and rewriting in preparation for this first ever showing, with the Tank Presents.

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Dec
5
to Dec 15

TESTING²

Testing² is an experimental dance theater performance, weaving together snippets of text, song, and audio sound bites from renowned celebrity artists. In this 3rd iteration of Testing2, actor/dance theatre artist Soomi Kim collaborates with choreographer Laura Peterson to intricately dissect and reassemble these recordings, delving into the spontaneous conversations and unplanned utterances – from the absurd to the profound and the spaces in between.

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